A Bird In The Hand

To our great surprise, Sarah noticed the other day that a small bird has decided to take up residence in a flower box attached to the fence around our front yard. At first, we thought there were chicks in the nest, but it now appears that it’s currently home to just one adult bird, presumably an expectant mother, incubating her eggs.

The nest is far enough from our patio door and the flower box is high enough that observing our new feathered friend is difficult, even if one stands on a chair. Nevertheless, I was able to get a reasonable look at her this morning before I went to work.

I described her to a colleague at work, who seems to think she might be a Junco. While there’s some similarity there, I haven’t really been able to see her well enough to say for sure that that’s what she is.

It’s impossible to view her in poor light, so I may have to wait until tomorrow to get another gander at her. I’ll use binoculars to see if that helps with the identification. We have the camera set up on a tripod in the hope that we’ll be able to photograph her. I considered buying a wireless webcam to enable better observation, but I’m worried that situating the camera on the fence above her may disturb her or — God forbid — cause her to desert the nest. I’d never forgive myself.

Do birds even desert their nest? I seem to remember once being told that it’s a myth. I should really google it and find out.

Since we have no long term plans to stay in the Bay Area, we’ve been responsible enough not to take on the responsiblity of pets. That’s lamentable, however, and a home without animals doesn’t seem like much of a home at all. Until we’re settled back in Amsterdam, the presence of animals in our lives is scarce, which is what makes an unsolicited arrival like this such a delightful experience.

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In Camera

After some deliberation, I’ve decided to replace our Minolta DiMAGE 7Hi with a DiMAGE A2. We’ve had the 7Hi for less than a year and it’s most unlike me to replace a piece of hardware so soon after purchasing it — I went four years with our Nikon Coolpix 950 — but I really do like some of the features of the A2, such as its image stabilisation. Basically, this enables the camera to do a really good job of compensating for shaking hands, which will be very useful for those windy Icelandic and Faroese shots this August.

Another convenience is the powerful proprietary battery, which makes the A2 one of the most economically-powered cameras in its class. Happily, the battery compartment also supports an AA holder unit, so it’ll still be possible to fall back on standard batteries when in places without much electricity and thus few opportunities to recharge.

We’ve been very happy with the 7Hi thus far (see our Icelandic gallery from last year), but I think we can probably get a reasonable price for it on eBay and not lose too much money, considering our relatively low usage of the camera.

Here are a few good reviews of the A2:

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This Old House

Since we’re planning to move back to Amsterdam next year, I occasionally scan the on-line property listings in search of houses that take my fancy. Whilst doing so, I came across the following [colourful house](http://www.funda.nl/?mail_obj=4FEC8421-F4A1-44D0-B63B-1A1C28988740

).

At a tad under €3,000,000, it’s a little out of our price range for now, but it’s definitely quite striking. A shame it’s not along a canal, though.

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Life Out Of Balance

I finally got around to watching Koyaanisqatsi at the weekend. This film, made in 1983, is as relevant today as it was at the time of its release, if not more so.

If you liked Baraka, you’ll likely appreciate Koyaanisqatsi. Like Baraka, it has no words, just a sequence of images set to music. Whereas Baraka was set to an anthology of atmospheric music, Koyaanisqatsi’s music comes in its entirety from the distinguished avant garde composer, Philip Glass.

With no dialogue, the viewer is left to render his or her own interpretation of the images, influenced to some undetermined degree by the music. Time-lapse photography is used to great effect, making it very hard to ignore the parallels between the human and the insect worlds.

The title, a Hopi word meaning Life Out Of Balance, is almost certainly the most overtly political statement made by the film, but represents the virtually inevitable conclusion that results from viewing the film.

From the opening scenes of vast mountain ranges and lush vegetation, the viewer is plunged headlong into an odyssey of man’s lasting impression upon the planet, depicting technology in all its marvellous glory, along with fearsome examples of its misappropriation.

Watch for yourself and decide what to make of this film. The DVD also contains an excellent monologue by the very erudite director, Godfrey Reggio, with comments from Philip Glass.

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But is it art?

In case you didn’t know, free speech and the freedom of expression are alive and well in the good old US of A. Don’t let anyone tell you otherwise.

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